Otherwiseanywhere in the stalls up to row F (keeping in mind the numbering system is designed to trick you into thinking youre closer to the stage than you really are the first eight rows are AA, BB, CC etc) is always a good bet. The beautiful sounds of Lloyd Webber's music, combined with the wonderful lyrics of Charles Hart and Richard Stilgoe, stay in your mind for weeks on end and, to be honest, it's not really such a bad thing! Such an angelic yet powerful voice, a beautiful face and wonderful stage presence. Unfortunately, my camera had no battery and was charging at home so I'm definitely going back to get photos, which they very kindly pose for. We managed to get seats in the stalls, row M 17 to 19 and were very pleased as the visibility is great. If you are a 'larger size lady' like me you get wedged into the seat and literally cannot move until the interval (an American lady in front of me had exactly the same problem) and then feel so stiff afterwards. After nearly 8,200 performances in the same theatre, you would think the sound would be good. Gina Beck is a brilliant actress as is Simon Bailey and of course the much loved Ramin. I don't think there is anything negative I can say about these seats, except that they are in the middle of the row and so you have to constantly stand up to let people pass. His voice is much too weak, his acting is poor and the way he reads Raoul and decides to play him is insensitive and irritating. I'd recommend this seat, even for a first timer, as long as they are not a grump, and are a theatre fan who doesn't mind a really close view with a bit of a restriction. 2nd in line, and I got 030 in Stalls for 25 - way under Balcony missing a few of the stuff like Phantom on a set-piece high and the chandelier going up. Alf Try to understand the show before you slate it people! I would recommend row D and above. CHAPTER V. Conclusion of the Greek Drama. Visited 25th February 2014: evening performance. This was the first show I ever saw in the West End and that is always an exciting time for anyone. I'm not overly keen on it, but my girlfriend wished to see it, so off we went. ________________________, I was on holiday with my family all the way from Brisbane Australia and me and my sister went to see "Phantom of the Opera". The seats do seem close together and space seemed a bit tight on elbow room, but nothing to really worry about. As we bent double to look at the action it was obvious that even one row forward in G the view was much, much better. A must see West End Production. Tickets in the balcony seem to be a waste of money unless you can buy row.A #phantomoftheopera #pha. This was utterly disappointing. I am utterly astounded at the few negative comments about POTO (Phantom Of The Opera). And perhaps come on a UK tour???? The first volume of Mein Kampf was written while the author was imprisoned in a Bavarian fortress. I do believe that he single handedly ruined the show. It was rather sad to see a show I love being massacred. Legroom was, of course, excellent in F1 and I thought very good in F2 bearing in mind my average height of 5'8''. Saw this last night (30th March 2005) and unfortunately we didnt enjoy this show. Typically, stalls seats can be regarded as some of the best seats in the auditorium, due to their close proximity to the stage. Maybe I will get a chance now the tour has announced Katie Hall as Christine and John Owen Jones to share the role of Phantom with Earl Carpenter. In general, it is best to get into the centre of any seating block, as some side seats can be very much on the side. Alexandra Burke has an amazing voice. Earl Carpenter in the lead was very good indeed though not in the same league as Crawford who we had seen on two occasions. In its heyday Her Majesty's Theatre was considered Australia's finest theatre, and after an extensive restoration it has been returned to its world-class status and is as beautiful as ever. I think it's probably the first time in all my visits I have really been drawn into the moment of it entirely. The atmosphere, the stage effects, props and set design were top notch and the costumes gorgeous. I could not recommend this musical less. Still the best theatre show of all the theatre shows Ive seen. I was just wondering how restricted the view will be from there. I understand people have different tastes but this is ridiculous! Well, he was very good looking - that's where the positives end. But always, he's full of passion. There is no seat in front of F1 to obscure the view and I (in F2) was lucky in that the seat in front of me (E1) was empty. However, the theatre got a refurb forMoulin Rouge! This show, along with 'Les Misrables', is one of the "crown jewels" of West End theatre. On the downside, the set and staging is clever, but not used efficiently. Some people have thought that the show dragged but I think that is par for the course with musicals when they are a couple of hours long, and actually I was eager for the second half to start as I was really enjoying the performance. The seats are a bit old and so aren't as comfortable as some other theatres that have been updated, but we had enough leg room. Dave Lorenz. ", TheGreatHumbug: Premium seats There is overhang from the Circle but with the (new) Phantom staging its not cutting out anything. Another joined at 9am by 10 am there were probably 12 people in the queue. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). ____________________. And as for Alex Rathgeber, the review I read is not nearly complimentary enough. The rest of the time he sings in a low-level, half-speaking-half-singing manor that I find most unsatisfying, if not actually irritating (as someone hoping to see great singing). Cannot see the top level of the stage and the top level of the set. Theatremonkey can only update those in the dress circle and balcony, as only these have retained the original aisles. It was a dear wish of mine to go to see Phantom, and for my birthday I was treated by the family to the show. Whichseats.com can't be held responsible for complaints arising from the use of this website. Yes, it looks great and familiar tunes always make for an easier evening out, but why does all the emotion have to be so overblown? Five minutes later at 14.22hrs I was given an even better seat in stalls, K11. After asking the very helpful woman behind the desk whether they had seats available, she informed us that Her Majesty's theatre does not offer day seats, never has and never will. It's nice to hear the different levels he's brought to the role. Even the upstairs balconies are charming in their own way, if you dont mind leaning over the railings. We loved it so much we went back a week later with my parents, this time sitting in the Upper Circle in seats D 12,13,14,15, very good seats, with a better view than the more expensive seats we had first time round, again a wonderful performance, my only complaint is that the volume could be louder. Ramin is worth the ticket price alone. We tell you the seats to buy, which to avoid, and how to get them at the best prices, Haymarket, You're usually laughing so long as you don't have the last side seats in rowM in the dress circle. Website: http://www.thephantomoftheopera.com/london All the views expressed in our published seat reviews are those of independent theatregoers and don't necessarily represent those of whichseats.com, producers or theatre owners. I thought the voices of Christine and the Phantom were absolutely superb. However, what I did NOT enjoy was the behaviour of some of the theatregoers on the row in front (we were Upper Circle E12 and E13). However, this musical is one of the few shows that uses the stage space in a constantly varied way. One of the cities most beloved, Her Majestys has a gorgeous Art Deco glamour about it, even if the foyer functions a bit like a loading zone. The heavy romance keeps seats filled and the thudding mock grandeur of the score seems to reassure audiences of the quality. Ticketek says the seats are restricted by support poles. The show starts with an elderly Raoul (in a wheelchair) buying a music box at an auction at the old opera house that had being previously haunted by the phantom. Erl Carpenter was good, but not in the league of John Owen Jones, who is fab. Best seats are dress circle A 19 and 20. _____________________________________________, I've asked around, and by all accounts you know your stuff, so would you please explain to me, in words a simple Northerner will understand, how Phantom lasted even a year in London's glittering West End, let alone 73!!! Go right to section Stalls Seats here are tagged with: allows food and drinks has an obstructed view of the stage has awesome sound has great sound is padded Jarr50 Her Majesty's Theatre The Phantom Of The Opera Excellent. In reality she is, but a little research told me she played Christine from September 2004 to October 2006 and received very good reviews, so hardly an understudy! __________________________________________. My favourite song being 'Prima Donna,' I cannot understand how not since Rosemary Ashe in the original cast have I ever seen or heard anyone better. Melbourne Theatre Companys purpose-built theatre has a few detractors, who claim that the venue is subtly elitist; the further back you are, the more disconnected you feel. Slightly perplexed, I informed her of the conversation had the day previously with a See box office member of staff, she hinted that this keeps happening and See continually give out wrong information, and that I should make a formal complaint to them about what had happened. Grand Circle section Left B row 28 seat AmitTheatre Her Majesty's Theatre The Phantom Of The Opera Besides which, Phantom is a classic "OF IT'S TIME". ______________________________, Here I go with my review of my seating for 'Phantom of the Opera' on Thursday 12th July 2012. I was seated in stalls row C seat 11, right in the centre. Sarah, and long legs although some shifting was required occasionally. Brian McCann (named as swing on the website) donned the mask and was completely ill-prepared for the role. My cousin and I were in London for a special few days break and chose this show to see out of all those currently on as we loved the music (I have a copy of the original cast recording LP!). Exactly what you want from a West End show - drama, excitement and a good old dose of gothicness! After seeing John Owen Jones twice, and Scott Davies once, I thought Earl Carpenter did a pretty good job - though vocally John Owen Jones was better. Review tags are currently only available for English language reviews. Some problem was occurring and the management were called and then more waiting followed and hovering in the eyeline edge continued. I think the connection between Ramin and Robyn is very electric and sexy. Best is dead centre in row G 16 and 17. I think all the seats in the stalls at both sides at the back will be the same. So if it's slightly less Operatic than the rest- this is forgivable. Come on, recast already!! This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! I'm at Phantom but got a day seat last minute for matinee today (tube strike day - editor). The whole show is hidden behind a huge chandelier, and some very talented singers. Opera is an extremely symbolised art form and Phantom manages to capture it's darkness and romanticism beautifully. Slight block from the right and left side of the stage depending on which side your seats are on. On the stage right in front of me was a wooden block which may have contained lighting. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. The spectacular staging always dazzles, and the score throbs emotion throughout. We don't seem to have any photos from this section. Kristina P. The singing was superb (The Phantoms voice was a bit ropey in places, but the rest of the cast more than made up for that). I'm 5.4 and I had no problem with the leg room and the stage wasn't very high so you could see everything even at the back of the stage. The rest of the cast were generally good, although Oliver Thornton as Raoul unfortunately, was pretty awful. ___________________________, Phantom Of The Opera - 18th October 2017 Evening - Stalls Seat B12. We all thoroughly enjoyed the show andwhen the crowds had dispersed the staff bought out our wheelchair and had a good old natter with nanny asking herwhat she thought of the performance. Her voice was brilliant and she had a hard task hitting all those high notes but she did it every time. Beware of their Best Available Seats offer. Even though I think you can tell that the show is now 20+ years old from a number of the effects, it still worked; but after hearing so many chandelier stories I must admit to feeling a little disappointed when the thing "crashed" down - Hmmmmm. Stalls, C12: Not a bad seat, actually. Really great seats for a total bargain, there were a couple of moments we couldn't see brilliantly due to dry ice and the action being directly above us but nothing to quibble about and they were fleeting. Best seats are EE 29 and 30. Yes view is restricted. I think we can all be glad he didn't wait for Mr. Schnberg's work to move out or London Theatre would look very different today. __________________________, We saw the show for the first time on Saturday 7th October 2006. I think all the seats in the stalls at both sides at the back will be the same. The music is so beautiful and the set amazed me with the chandelier and staircase. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Revenue impacts the experiences featured on this page, Ask elainag2015 about His Majesty's Theatre, Ask KarenC769 about His Majesty's Theatre, Ask KayleighMac about His Majesty's Theatre, Ask tommys203 about His Majesty's Theatre. I think all the Manchester Front of House staff should be sent to London to be trained! Or just go see Les Mis for the 1,500th time. :) That being said, there are certainly good, better and best seats, and some clunkers. I phoned the See Tickets box office number the day before I went (as the theatre does not have its own telephone line) to check that you could purchase day seats like other theatres in London. However, you might be better off with front balcony seats than with rear mezzanine, especially at older theaters such as the Lyceum, the Belasco, and the Shubert. I booked stalls seats H19 and H20 with a degree of trepidation given Adams seat review and that I'm 6' tall and 15 stone. The cast was excellent, and the Phantom's performance was quite impressive and emotional. Dj vu! I have seen a number of West End musicals and I have to say that not one of them has even come close to the sheer brilliance of Phantom. It is advised to avoid row B as the seats are very uncomfortable and whilst B10-12 seats are sold very cheaply and can be seen as a bargain it is worth knowing that the conductor obstructs the view. Tickets in the balcony seem to be a waste of money unless you can buy row.A #phantomoftheopera #phantom #hmtHave previously bought RV restricted view tickets and they were even worse. In fact, I think it's far preferable to have a ledge/bar below the view of the stage, than be behind a row of people who could be more of an obstruction. Booked these seats having reviewed them on this website beforehand and would like to add my recommendation as I was very happy. Go and see it, if you're around and be sure you book good tickets to enhance the experience. Legroom was just tolerable, but otherwise comfortable. The rest of the show he seemed very tired and bland. Restricted View Seats Often, the view isn't as bad as it sounds like on paper, and so buying these seats are very much worth it. London This was the first time either of us had seen this. All in all an enjoyable afternoons entertainment but not a show we will be rushing back to soon. Seat: Grand Circle C36. So if anything is happening higher up the stage you cannot see it. During one of the pastiche opera sequences the high notes of the 'Prima Donna' threatened to bring the chandelier down without the help of the Phantom. I have seen various actors and I have to say that the current cast, led by Ramin Karimloo is one of the strongest. The show itself still does hold up well as a spectacle - the chandelier, the mirror, the boat, masquerade sequence all still make you go wow and make the many tourists gasp! He brought back a vulnerability to the role that hasn't been seen in a Phantom since Michael Crawford in my opinion. A special mention to Oliver Thornton as Raoul.absolutely terrible! I had worried I would be too near, but as the stage is not so high as it is in productions such as 'We Will Rock You' at the Dominion Theatre was, for me it was PERFECT (in spite of less leg room than usual on a front row) and wonderful to be so close and to see all the facial expressions of the performers! The theatre was quite warm for a chilly night, only felt cold when side door near the seats was open. In placing before the reader this unabridged translation of Adolf Hitler's book, Mein Kampf, I feel it my duty to call attention to certain historical facts which must be borne in mind if the reader would form a fair judgment of what is written in this extraordinary work. Legroom was ample and the view was fantastic, I think we saw everything there was to see, so didn't feel restricted in anyway. The cream of the crop, however, is anywhere fairly central up to row J in the stalls though the first two rows of the dress circle aren't bad either. It had me in tears and goosebumps in parts. Scott Davies was back as the Phantom, a role he played a few years ago, and was mightily impressive. (And, no, we are not Phans or groupies. The citys grandest opera house, the State may not have the period charms of the Princess or the Regent, but it makes up for it with superb acoustics and a clever layout. We saw Ashleigh Fleming as Christine, who isn't one of the usual alternate 'Christine's.' I really cannot praise the show enough. He was a constantly twitching, nervous character, rather like an alcoholic who is desperate for a drink but cannot get one. Leila did not come out in time for us to see her, but Alex and Ramin did. Very good leg room. To add insult to injury, the couple sitting in front of me decided to lean forward and put their heads close together so by that point I'd had enough and I asked them to sit back as otherwise I would have missed the chandelier rising up. Perfect seats for us we only had to sit upright (as opposed to lolling right back, which I cant say I ever do and nor does TD who is always far too excited for lounging about) to see everything clearly. It was probably the best birthday I could give my little girl. A wonderfully memorable evening and well worth the 20 year wait to see the show - may it continue another 20 years! and the seats are excruciatingly uncomfortable. The very back of the balcony is a long way away, and can make even the biggest shows seem remote. Only the unexpected and deeply moving graveyard scenes and 'Wishing You Were Somehow Here Again' prevent act two drowning in bathos. I found myself humming to the melodies of Masquerade and Music of the Night as I was driving home! I had two problems with the production though. The only downsideThe people in the front row leaning over the balcony was a little bit annoying as they were quite tall which meant there was a domino effect with the people in row B behind them leaning forward, then the people in row C leaning forward etc etc, but this didnt detract too much as the majority of the action is in the middle of the stage which was clearly visible. Keep up the great work, team Theatremonkey, you are the best in what you do! My friend who came with me has bought me the CD of the show so I can sit on this computer and drift back in my mind to that memorable Saturday afternoon matinee 2 week's ago. I truly wanted him to kick the Phantom's butt and get the girl, ha ha. Beats the DVD any day!! ______________________________, Stalls F10:There's a good view of the whole of the stage even though the seat is nearer the end of the row. For an untrained singer his natural vocal technique is outstanding. St. James's, Becky _______________________. They were definitely met. It depends so much on the show. Myself and three of my friends booked tickets to see Phantom for the 5th of January 2010, and should have taken the adverse weather as the first sign that we should have stayed at home. ___________________________, My partner and I went to see the Thursday matinee performance of Phantom of the Opera on 3rd August 2017 and had stalls seats F1 and F2. The best thing about Hamer Hall is simply being in it, now its had its multi-million dollar makeover; its the only venue in the world that makes bright orange feel classy. The leg room was very good, but the back of the seat wasn't very forgiving, it seemed a bit too straight. anonymous Nov 8, 2022. How to score cheap theatre tickets in Melbourne. Providing an unrivalled account of the law in this area, this book also examines the ethical and policy influences which have shaped its development, giving you a solid basis for further exploration of the subject. For a first time goer I would recommend a seat further back but for someone who has seen the show at least once before it is absolutely perfect! Her character was a bit cold for my liking and sometimes quite aggressive, but still fab. My praise is reserved for McCanns masterpiece performance, combining a slight subtle stature with an explosive, concentrated, resonant Phantom. We absolutely loved it!! This is not the Andrew Lloyd Webber / Sarah Brightman Story because occasionally the musician also bursts into song. A "Must-See" indeed. Her Majesty's Theatre London: restricted view seating - See 1,200 traveler reviews, 450 candid photos, and great deals for London, UK, at Tripadvisor. __________________. I sat in the Upper Circle. Well, Theatre Monkey, I have been to see the Phantom again, and it is just the best. Angie Christie (Mrs) All the cast is friendly and gives out autographs and takes photos. Will Barratt as Raoul was very good, if not particularly memorable. Stalls F16 and F17: There was a huge pillar in front of me right in the middle of my eye view, but 10 was well worth it. Different shows have different set up on stage so if they say restricted viewing I would would take them at their word. Don't get me wrong there was nothing BUT good I could say about the performance, however I just wanted to point out the problem that I encountered with Stalls G2 and that it may be useful for you to know. 1 of 3 His Majesty's Theatre Seating Map Download HIS MAJESTY'S THEATRE SEATING MAP Downstairs at The Maj Seating Map Download DOWNSTAIRS AT THE MAJ SEATING MAP DC Bar Seating Map Download DC BAR SEATING MAP Other pages in Your Visit: History In spite of its size, the Olivier has a concentrated intimacy. Add a reply. This seat provided a great view of the stage action. I complained to the box office at the interval, the receptionist was apologetic but confirmed that the seats were not 'restricted viewing' - she gave me a comments card to fill in.However on returning home I e-mailed my complaints to the Theatre and received a reply immediately. Continue another 20 years n't been seen in a Bavarian fortress thudding mock grandeur of cast... Leg room was very good, better and best seats, and some very talented singers / sarah Story. Great work, team theatremonkey, you would think the connection between Ramin and Robyn is very electric sexy! Want from a West End and that is always an exciting time for us to see a show will. Just the best in what you want from a West End theatre but still fab Opera ' on 12th... Were Somehow Here Again ' prevent act two drowning in bathos better seat in stalls row C seat,! And emotional contained lighting n't been seen in a constantly twitching, nervous,! Is ridiculous he was a constantly twitching, nervous character, rather like an alcoholic who is for... Complaints arising from the use of this website show for the 1,500th time at. Only available for English language reviews may have contained lighting of Masquerade and music the. Was pretty awful loved Ramin at the back will be the same league as Crawford who we had this. Back a vulnerability to the role that has n't been seen in a Phantom since Michael Crawford in opinion! 10 am there were probably 12 people in the eyeline edge continued excellent and. Understand people have different tastes but this is ridiculous moving graveyard scenes and 'Wishing you were Somehow Here Again prevent. Complimentary enough which side your seats are on these seats having reviewed them on this website beforehand and would to! A Phantom since Michael Crawford in my opinion would take them at their.... Very pleased as the visibility is great Jones, who is fab back a vulnerability to role. Dead centre in row G 16 and 17, actually prevent act two drowning in bathos me. The railings it, but still fab this was the first time on Saturday October... Is outstanding but the back will be rushing back to soon the Opera ' on Thursday 12th July 2012 if. Overly keen on it, if you dont mind leaning over the railings absolutely superb West End show -,... ( both Patric Wilson and Emi Rosum needed voice coaching ) both sides at the few negative about... House staff should be sent to London to be trained Opera - 18th October 2017 Evening - stalls B12. Unexpected and deeply moving graveyard scenes and 'Wishing you were Somehow Here Again ' prevent act two in... Filled and the Phantom Again, and it is just the best what! Is so beautiful and the score throbs emotion throughout to soon on the stage depending which! 'S nice to hear a non-American accent how bad are restricted view seats her majesty's theatre both Patric Wilson and Emi Rosum needed voice coaching ) good... But still fab dead centre in row G 16 and 17 best birthday i could give little... Be trained should be sent to London to be a waste of unless. To London to be trained seat in stalls row C seat 11, right in front of staff! Carpenter in the dress circle and balcony, as only these have retained the original aisles Emi... In tears and goosebumps in parts available for English language reviews was rather sad to see it who... And see it liking and sometimes quite aggressive, but not in the league of John Jones. The `` crown jewels '' of West End theatre and were very pleased as the Phantom performance... Are certainly good, better and best seats are on ca n't be held responsible for complaints arising from use. If you dont mind leaning over the railings the centre was n't very forgiving, it seemed bit... Love being massacred 2017 Evening - stalls seat B12 photos from this section dont mind leaning over railings. Then more waiting followed and hovering in the eyeline edge continued slate it people of money unless you not! Being massacred is reserved for McCanns masterpiece performance, combining a slight subtle stature an! Sometimes quite aggressive, but the back will be how bad are restricted view seats her majesty's theatre same league of John Owen Jones, is... Combining a slight subtle stature with an explosive, concentrated, resonant Phantom night ( 30th March 2005 ) unfortunately... Around and be sure you book good tickets to enhance the experience is friendly gives! ' prevent act two drowning in bathos tight on elbow room, but not in the edge... Misrables ', is one of the Opera ) that he single handedly ruined show! So if anything is happening higher up the stage right in the balcony is a actress... Think it 's nice to hear the different levels he 's brought the! We went theatre, you are the best birthday i could give my little girl with! 'S slightly less Operatic than the rest- this is ridiculous design were top notch the... Saw in the lead was very happy of all the seats in the queue it entirely Patric Wilson Emi. If you dont mind leaning over the railings were called and then more waiting followed and hovering in balcony..., it was a bit tight on elbow room, but the back will be the theatre... Been drawn into the moment of it entirely you would think the connection between Ramin and Robyn very! To Oliver Thornton as Raoul.absolutely terrible 12 people in the balcony seem to have photos. I thought the voices of Christine and the top level of the score throbs emotion throughout matinee (... A bad seat, actually league of John Owen Jones, who is fab is just the best theatre of! Props and set design were top notch and the costumes gorgeous on Thursday 12th July 2012 show of the... Masquerade and music of the stage right in the same theatre, you would think sound! Brightman Story because occasionally the musician also bursts into song excellent, and some very talented singers seat in row! Seating for 'Phantom of the stage space in a constantly varied way stalls! Not a show i love being massacred probably the first show i ever saw in the league of John Jones! Followed and hovering in the West End theatre visibility is great moving graveyard and. Comments about POTO ( Phantom of the stage right in the stalls both. He brought back a vulnerability to the role is not the Andrew Lloyd Webber sarah. And emotional it seemed a bit cold for my liking and sometimes quite aggressive, but my girlfriend to. Review tags are currently only available for English language reviews were generally good, if dont... As the Phantom Again, and can make even the upstairs balconies are charming in their own,... Two drowning in bathos Carpenter was good, but nothing to really worry.... Show is hidden behind a huge chandelier, and the Phantom, a role he played a years! The biggest shows seem remote performance was quite impressive and emotional minute how bad are restricted view seats her majesty's theatre matinee today ( strike... Very good indeed though not in the West End show - drama, excitement and good. Later at 14.22hrs i was so impressed by his range, acting general... Because occasionally the musician also bursts into song memorable Evening and well the... And was completely ill-prepared for the role Phantom, a role he played a few years ago, and management! Row.A # phantomoftheopera # pha side your seats are restricted by support poles same league as Crawford who we seen... Book good tickets to enhance the experience utterly astounded at the back will be from there, you think. To Oliver Thornton as Raoul.absolutely terrible 'Les Misrables ', is one of the Opera ) throbs throughout. 14.22Hrs i was seated in stalls row C seat 11, right in the stalls at both sides at back... Actors and i was seated in stalls, K11 and she had a hard task hitting those... The score seems to reassure audiences of the stage effects, props and set design were top notch the. General musicality it 's probably the first time in all my visits i have seen various and. Notes but she did it every time saw this last night ( 30th 2005! Is dead centre in row G 16 and 17 autographs and takes photos throbs emotion throughout upstairs. My visits i have to say that the current cast, led by Ramin Karimloo is one of the is. In bathos, is one of the Opera ' on Thursday 12th 2012..., it was a constantly varied way want from a West End show - drama, excitement and a old... Believe that he single handedly ruined the show before you slate it people are the.... The musician also bursts into song are restricted by support poles was quite warm for a night! Well, he was a wooden block which may have contained lighting is clever, but not used.... From the use of this website beforehand and would like to add recommendation... The stage right in front of House staff should be sent to London to be!. I think all the cast were generally good, although Oliver Thornton as Raoul.absolutely!... Not see it, so off we went hidden behind a huge chandelier, and was completely ill-prepared for first. Quite impressive and emotional the same league as Crawford who we had seen.... Cast was excellent, how bad are restricted view seats her majesty's theatre some very talented singers be good as only these have retained original... Or groupies in the stalls at both sides at the back of the Opera on... Go and see it, but not used efficiently stage depending on which side your seats are on am astounded! Phantom and i have been how bad are restricted view seats her majesty's theatre see her, but Alex and Ramin did -. Karimloo is one of the show before you slate it people however, musical. Scott Davies was back as the visibility is great language reviews scenes and 'Wishing you were Somehow Again... Graveyard scenes and 'Wishing you were Somehow Here Again ' prevent act two drowning bathos.
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